To show explain and bring open conversations around peoples use of esoteric forces but also portray the divinity of the sentient esoteric forces in art and life
A work in process, living and learning, teaching through, and after process
Give a man a fish, he eats for a day. Teach a man to fish and he eats for a lifetime. it's an old proverb that stuck with me
Make a better world, with freedom S a sound mind and open heart and world, life.
We all go and we go as a team
For art objects -
— translucent colours
+ do they absorb the eye and give depth perspective and kindness?
— bright atom colour
+ does not curb atom life lee, is it too much,
think it’s alright for art objects:)
— no grid
+ it can curb the mind and thought process and limits thinking - creates agitation containment and diminishes an open mind
+ it can also hold you together so you get more tasks done at work — like plaid pants
+ I’m going to make no grid art object and teach on grid
--- soft on the eyes always
--- optimism - I don't want to put scary into the world, I try to make work that offers goodness and wholeness and looks with hope.
I avoided terror, hate and pain for a long time intentionally. I feel like things are only taken seriously if they hurt, are hard, could be construed by some to be immoral, shock-- it's not the dark side to talk about them. but easier to do well in art or with press with those themes. They Exist for sure, I wasn't giving them weight on purpose -- it's my choice over my work.
It's maybe the pain of the un traumatized, to desire to feel, is that trauma itself.
Your worst thoughts aren't the most valuable, your offering is.
— clarity and the other side always
To be continued …